Gallery Update: Downtown Macon

The first Friday of fall saw Gerald and I out celebrating the beautiful weather — and his new “creative camera,” a Leica M8 in pristine condition:

M8 @ Bearfoot (#3)

Which of course meant a quick spin around downtown. I was using my favorite lens, the 90mm macro, resulting in lots of detail shots:

Capitol (Theatre) Details, Second St.
Windowmaker, Mulberry St. Ln.
Peeking Across Third (Street), Downtown
Street Art Detail, Cherry & Third
Street Art Detail, Poplar & Third

With these latest additions, the Downtown Macon (2022+) gallery is at eighty photographs. Take a look.

Beautifully Briefed, Mid-September 2022: Indigenous Type, Italic Type, Adobe Types “Stop,” and Two Awesome New Cameras

A wide selection of items for the beginning of fall, from positive fonts to jolly cameras — with Adobe and Pantone pouring some cold water on things. Let’s get to it!

Indigenous Letterforms

As Americans, Europeans, or, more generally, Westerners, we take for granted that fonts will reflect the various pieces of individual type — that is, letterforms — that we’ll need. But not everyone falls into that category.

North American Indigenous fonts — with updated Unicode. Major Kudos. (Courtesy of Dezeen.)

Dezeen points us to an especially interesting effort: “Typotheque typography project aims to protect Indigenous languages from “digital extinction.” In this case, folks who were in the Americas long before Westerners arrived used languages often not written down, or that use letterforms that simply aren’t supported in modern typographic systems.

“When [the Unicode Standard] doesn’t contain characters in a given language’s orthography, it is not possible for that community to accurately use their language on digital text platforms.”

Typotheque typeface designer Kevin King 

Fascinating. Read more at Dezeen.

Italic Letterforms

The always-great Hoefler & Co. spends a minute educating us about italics:

Hoefler examines italics: point-and-sketch
Hoefler’s Fifteen Italic Textures illustration

Italics can be the most colorful part of a type family, diverging dramatically from their roman cousins. Here’s a look at twelve kinds of italic typeface, with some notes on their cultural contexts, historical backgrounds, and practical applications.

Hoefler & Co.

Read the article, “Italics Examined,” at Hoefler & Co.’s Typography.com.

Adobe Types, “Stop.”

Adobe and Pantone are having a . . . thing. As a result, all Pantone spot libraries have been removed from Adobe products:

A classy move, completely in character for both companies, to reach into users’ machines and remove stuff they had paid for and may rely on because of some licensing spat.

Nick Heer, Pixel Envy

I didn’t get a notice in either InDesign or Photoshop, but a check in InDesign (the CC 2022, aka 17.4, version) shows only the CMYK libraries:

Adobe’s Pantone+ CMYK (Coated) color picker, from InDesign CC 2022

You can subscribe to the additional libraries from Pantone for $60/year. Book design is almost exclusively CMYK, so I won’t be . . . but grrrr.

On the subject of Canadians: thanks to Nick Heer’s north-of-the-border reporting for the update.

Two Awesome New Cameras, from $100 to $100,000

So Pagani, the multi-million-dollar sports car manufacturer, has decided to market large-format cameras. Okay!

One of Pagani’s new camera models
A closeup of the (beautifully-detailed) tripod plate for Pagani’s new cameras.

Incredible, breathtaking detail and quality, based on Gibellini models but taken to 11. But like their cars, mere mortals need not apply: they start over $100,000.

Instead I encourage an order from this Ukrainian company:

Jollylook’s Pinhole Instant Mini film camera
Jollylook’s Pinhole Instant Mini in situ

They’re based on instant film cartridges, are made of recycled materials, look incredibly cool, and a kit starts at an incredibly-reasonable $99. Throw in a few extra dollars to support Ukraine and . . . feel Jolly.

Thanks to This is Colossal for the link.

Beautifully Briefed, August 2022: Drobo, Rolling Stone, Aston Martin, and Bugatti

Three interesting logo redesigns this month, plus a moment where venti has nothing to do with coffee. Oh, and a airy bonus.

Drobo Declares Bankruptcy

Generally speaking, I’m not one to engage in schadenfreude, aka “enjoying the pain or suffering of another.” (Wiki. Anyone surprised that the Germans have a word for this … but I digress.)

A selection of expensive, unreliable junk.

Back in 2011, I lost two Drobos in short order — and with them, the majority of my back files. Project I’d worked on, photographs I’d taken, personal documents, years worth of stuff, just gone.

Drobo, the company, did nothing to help, offering neither solutions nor apologies. I wasn’t alone; forums across the ’net suggested that I should have chosen more carefully.

It turns out they should have, too. Good.

Gloat Read more at DPReview or PopPhoto.

Rolling Stone’s New Logo

To call Rolling Stone‘s place in America culture iconic might be selling it short, and their logo plays a large role in that. In 2018, they flattened it — leading that trend, possibly — and it lost something.

However, this month, it’s back:

Rolling Stone’s 2022 logo redesign.

“The assignment was a paradox. How could we make the logo look like it did in the past, without making it feel dated? My hope is that loyal readers will believe the old logo is back, but on closer inspection will be surprised to notice how much it has been modernized.”

Jesse Ragan, XYZ Type

The “old logo” he’s referring to is the one that ran from 1981–2018, but there were others, too:

Rolling Stone’s lettering shapes through the years. See more at both links.

A great study in logo evolution: read more at the Type Network, and lettering specifics from XYZ Type. Awesome. (Hat tip to, as usual, Brand New.)

Aston Martin’s New Logo

On the subject of subtlety, Aston Martin usually isn’t the first thing that comes to mind. Their recent logo redesign, however, falls into that category:

Wings of Glory (so to speak)

The evolution of their logo emphasizes those small steps:

AM’s logo through the years.

Not a great amount of information on this one, but the accompanying photographs of the logomark being made are fantastic. See more at The Drive, with more at Brand New.

Bugatti’s New Logo

Subtlety and Bugatti rarely — if ever — fit in the same sentence. Aston is stratospheric as far as I’m concerned, so Bugatti would qualify as the antithesis of subtlety. But, but, but: there’s something about one.

The new Mistral. (Sorry, it’s sold out.)

They have a new logo and marketing campaign to go with:

Specifics, courtesy of Interbrand.
The Mistral from the back, showing the new type treatment.

Read up at It’s Nice That. Car and Driver has more information on the Mistral.

Bonus: In the Skies

It’s been a busy August, including having to make a lightning trip through the usually-not-fun Atlanta airport. But there’s always a bright spot at the end of that tunnel: being the little boy again, awed by the simple act of flying.

Better still, the flight was on a 757, the sports car of big planes. Everybody around me had their window shades pulled and noses in their phones, but I was looking out the window:

Delta Ship 5654, Above Clouds and Sea

See you in September!

Gallery Updates: Andersonville and Americus, Georgia

Last weekend, Gerald and I took a summer road trip and photostroll through southwest Georgia — with stops in Andersonville and Americus.

Andersonville is a sobering place: “The deadliest ground of the American Civil War.” Further:

Nearly 13,000 men died on these grounds, a site that became infamous even before the Civil War ended. Their burial grounds became Andersonville National Cemetery, where veterans continue to be buried today. This place, where tens of thousands suffered captivity so others could be free, is also home to the National Prisoner of War Museum and serves as a memorial to all American prisoners of war.

National Park Service

We just visited the National Cemetery section of the park, with its closely-spaced Civil War graves, memorials, and reminders that it’s still in use today.

Bench and Garden, Andersonville National Cemetery Rostrum
Stalag XVII Memorial Detail (WWII), Andersonville National Cemetery
Maine Civil War Memorial Statue (Photo #2) Amongst Graves, Andersonville National Cemetery
Illinois Civil War Memorial (Detail #2), Andersonville National Cemetery

Later, we headed just down the road to the small city of Americus:

Wall Painting Detail #1, Sweet Georgia Bakery and Cafe, 134 W. Lamar St., Americus
City Municipal Building and Windsor Hotel, W. Lamar St., Americus
Window Arch #2, 106 W. Lamar St., Americus

Both galleries — Andersonville and Americus — have been updated with new photographs. The new items start with “2022,” and remember that clicking on any photograph starts a slide show for that gallery. Thank you!

University Press Design Show 2022

Note: Click on the title above to see this post in one-column format, which includes larger graphics — helpful with some of these jackets especially. (This applies to any post here on Foreword, by the way.)

It’s time once again to celebrate the unsung heroes of the book world: the best items published by university presses.

The annual show, now in its 57th year, honors the university publishing community’s design and production professionals. The Association recognizes achievement in design, production, and manufacture of books, jackets, covers, and journals, and the Show serves as a spark to conversations and source of ideas about intelligent, creative, and resourceful publishing.

Association of University Presses 2022

This show, like the 50 Books, 50 Covers also announced around this time of the year, is cool in that it doesn’t just talk about a book’s exterior — there are covers and jackets, interior design, even awards for the quality of typography.

Let’s talk about titles with both covers and interiors first, starting with the great Gumbo Ya Ya from the Poetry category:

University of Pittsburg Press. Cover design by Alex Wolfe.
University of Pittsburg Press. Interior design by Alex Wolfe.

The strength of this design, inside and out, towers head and shoulders and whatever else above — designer Alex Wolfe deserves this win and many kudos from me.

Next, two from the Scholarly Typographic category:

University of Georgia Press. Design by Erin Kirk.

Fractals are a great choice on this title page. (Love the title, too.)

LSU Press. Design by Barbara Neely Bourgoyne.

This whole project is well done, with the jacket taking an old map and giving it just the right treatment.

Three from the Scholarly Illustrated category:

Chicago University Press. Design by Jill Shimabukuro.

Not dissimilar to the above when zoomed out, but so much more than a scribble when zoomed in. (Note that the blue wraps onto the front — nice choice.)

Getty Publications. Cover design by Catherine Lorenz and Jim and Drobka.
Getty Publications. Interior design by Catherine Lorenz and Jim and Drobka.

Great cover, and the contents pages are awesome! (I don’t get to say that very often.)

Princeton University Press. Cover design by Roy Brooks.
Princeton University Press. Interior design by Roy Brooks.

This is not an easy title to design for, and here both the cover and title pages are extremely well done.

Next, the Trade Typographic category:

Johns Hopkins University Press. Design by Amy Ruth Buchanan.

A one-color triumph.

Leuven University Press. Design by Stéphane de Schrevel.

Great, great photograph with interesting typography grabs your attention here.

One from the Trade Illustrated category:

Trinity University Press. Design by Janice Shay.

It’s difficult not to appreciate a book with “Love, Loss, and Laundry” in the subtitle — but the book design does it justice.

We finish up with several favorites from the Book Covers and Jackets category:

Georgetown University Press. Design by Jeff Miller.

Flag-as-fence. ’Nuff said.

McGill-Queen’s University Press. Design by David Drummond.
McGill-Queen’s University Press. Design by David Drummond.
McGill-Queen’s University Press. Design by David Drummond.

I don’t know that these are a series of titles as much as a style for the titles — but, in either case, they work.

University of Pittsburgh Press. Design by Henry Sene Yee.

Not the only title here with textured paper, the simple typography with a fantastic — and fantastically-placed — bird wins for more than literature.

University of Minnesota Press. Design by Casalino Design.

The white border around this is difficult to see here, but adds to the overall in an interesting way; I also like the hand lettering over this amazing photograph.

University of Nebraska Press. Design by Nathan Putens

Additive color combined with the subtitle-of-the-year on this winner.

Princeton University Press. Design by Derek Thornton.

Great, great typography here. When combined with the radiating lines and provocative title, it makes for a title that I’d absolutely pick up.

I’ve saved my favorite from the whole show for last:

University of Minnesota Press. Design by Michel Vrana.

Another appearance of textured paper is just the start here, with that illustration rocking so hard indeed — the eye! Fantastic in every way. (Bonus points for “A Post-Exotic Novel.”)

See all of the entries from this great Association of University Presses show here. (FYI, nothing from Spine yet, but kudos to the University of Chicago Press for blogging about their favorites.)

Gallery Update: Madison (Part 3)

As promised, I returned to Madison, Georgia, to complete the gallery my camera battery didn’t permit last time. Special thanks to Gerald, who accompanied me around the beautiful downtown historic district and on the lovely drive from here to there.

This round is mostly details, taken with my stunning new Leica APO lens. (Introduced in this Macon post.) The whole line has been discontinued, so I am incredibly glad to have gotten one while they’re still available — every single photograph shows just how good this lens is. I’ll try to do it justice:

Morgan County Courthouse #6
Light Detail, 131 E. Jefferson St.
Madison Welcome Center, Madison Square
Flower Detail, Organic Market
Building and Light Detail #2, W. Washington St.
Hart & Crown Sign, Madison Square

I’ve revamped the gallery with the new shots mixed in with the old. Several are improved versions of shots taken last time, meaning those were deleted in favor of the new ones.

132 Madison photographs have been posted in all. Peruse and enjoy; remember to click on any individual photograph to start a slide show, and if you’d like, click “buy” to get options for fine art prints in a variety of sizes and finishes. Thank you!

See also: Madison Part One and Part Two.

50 Books, 50 Covers: 2021 Edition

AIGA has announced their winners of the 2021 50 Books, 50 Covers competition:

With 605 book and cover design entries from 29 countries, this year’s competition recognizes and showcases excellence in book design from around the world. […] Eligible entries for the 2021 competition were open to books published and used in the marketplace in 2021.

AIGA Press Release

In this year’s competition, innovative book designs for topics ranging from designing and motherhood, African surf culture, stories of resistance, visual histories of Detroit, Black food traditions, and more all give our jury life, hope, and visible windows into new possible worlds. The covers and books we looked at had a diverse range of visual language and took aesthetic risks.

Silas Munro, AIGA [Competition] Chair

As usual, there are items here that I haven’t seen before, along with several that surfaced on others’ “best of 2021” book design lists (see that Foreword post for my faves). Also as usual, there are some excellent choices.

Further, there’s something in this competition that you don’t see in the usual “best of” posts: interiors. Half of the competition is covers, sure, but the other half considers the whole book design — and sometimes, as I can definitely attest, an underwhelming cover can lead to a treasure within.

But enough talking. My favorites, in no particular order:

Cover by George McCalman.
Book design by George McCalman.

This is one from the 2021 “best of” finalists that I didn’t post about — but now that I’ve seen the interior…. So very worthy. (See more.)

Cover design by David Chickey and Mat Patalano.
Book design by David Chickey and Mat Patalano.

This series of three books not only have striking covers I’d not seen before but exceptionally competent interiors done on matte paper, a personal favorite. (Click through for more examples.) Excellent.

Design overseen by Haller Brun.
Design overseen by Haller Brun.

In this fascinating book, architectural photographer Iwan Baan and (Pritzker-winning) architect Francis Kéré “set out to capture how the sun’s natural light cycle shapes vernacular architecture.” While I may be slightly biased in terms of architecture and photography, this one’s a winner. (Read the AIGA’s take.)

Cover by Andrea A. Trabucco-Campos.
Book design by Andrea A. Trabucco-Campos.

“A little overly precious,” the AIGA says … while awarding it a prize. Completely fresh, I say, with interesting content presented in a way that does considerably more than interest. Well done. (See them apples.)

Cover by Gary Fogelson and Ryan Waller.
Book design by Gary Fogelson and Ryan Waller.

“The type on the cover and in the body is perfect, in all ways and choices. The use of the gutter for captions is a great understanding of the art and a perfect way to save space. The page numbers too.”

Brian Johnson, AIGA Judge

This is one of those books that you have to say, “I wish I’d done that.” Great stuff. (See its individual entry.)

The Time Formula. Cover by Honza Zamojski.
Book design by Honza Zamojski.

There always seems to be some projects that violate book design “rules” — this one doesn’t have a title on the cover, has page numbers in the gutters, and more. Yet this book, about a sculpture project, makes for interesting viewing indeed. (See more.)

Last, we have a couple that are only covers:

Cover by Janet Hansen.

This was considered for my favorites of 2021 (and made it onto others’ lists). I’m glad to have been given the chance to call it out. Excellent in its simplicity. (See the AIGA entry.)

Last, but certainly not least:

Cover by Lydia Ortiz.

Another advantage of this competition: seeing more than the front cover. And this cover, front, back, and spine, is so much more — especially in person: black plus four neon inks. Wow. (See the AIGA’s praise.)

Many, many more to choose from at AIGA: set aside a little time, wander through all of the projects chosen, and truly enjoy. (Via Locus.)

FYI: See last year’s 50 Books, 50 Covers, too.

Beautifully Briefed, Early July 2022: The Autopian, The Ford Heritage Vault, and an Eames Follow-Up

Car site The Autopian scores with book design, Ford posts old marketing material gold mine, and more on the Eames Institute of Infinite Curiosity in this edition of Beautifully Briefed.

Autopian suggests book design

The Autopian, founded by a couple of former Jalopnik writers, is a new automotive gem: in these days of more-of-the-sameism sites trying to make money of others’ ideas, the Autopian has a retro style and interesting, original content.

Including this short post from their Cold Start column:

Sometimes you may encounter an old car ad and realize that the design of it could lend itself very well to something completely different. In this case, this 1958 Ford Zodiac ad, with its rich, saturated colors, striking dress on the model, and evocative name with understated typography just feel like something you’d see on modern book cover design.

Jason Torchinsky, Autopian Founder

The ad:

A 1958 Ford Zodiac (European)

His book design idea “realized”:

Jason’s book cover mock-up. Love the author name.

Nice.

The Ford Heritage Vault

Ford has taken the unusual step of posting a good chunk of their old — 1903 to 2003, their first 100 years — marketing materials online: “promotional materials, photographs, and all kinds of other historical goodies,” according to CarScoops.

“Our archives were established 70 years ago, and for the first time, we’re opening the vault for the public to see. This is just a first step for all that will come in the future,” says Ted Ryan, Ford archive and heritage brand manager.

Here’s a personal favorite: the 1965 full line brochure, showing the cars set in architectural drawings — presumably, matching the car to the house:

The 1965 Ford Family of Cars brochure

Fancy a drive down memory lane?

More from the Eames Institute

We discussed the Eames Institute of Infinite Curiosity back in April, but Metropolis magazine has published an extensive article covering a visit to the Institute.

Modernism has largely been diluted from a series of ideas rooted in social change to one of just style—Instagram moments, if you will. The Eameses insisted that they did not have a style or even an “ism.” […] Modernism was an idea, not a style. With the establishment of the Eames Institute, I hope Charles and Ray will be remembered most of all for their ideas and processes.

Kenneth Caldwell, Metropolis
An exhibit at the Eames Institute of Infinite Curiosity.

With our ongoing struggle to use materials more efficiently, many of the Eameses’ ideas and ideals need to be taken for the solutions that they are: style with incredible substance.

Read the whole article at Metropolis. (Via ArchDaily.)

Beautifully Briefed, Late June 2022: AIA’s Best Architectural Photography, 2022 Logo Trends, and … Buick!

Three items for the end of June, 2022: AIA Los Angeles announces photography awards, the 2022 edition of the Logo Lounge logo trends report is out, and Buick makes its new logo official. Let’s get into the details.

AIALA Photography Awards

The Los Angeles chapter of the American Institute of Architects (AIA|LA) has announced this year’s winners of the annual Architectural Photography Awards, and there’s some pretty great stuff:

Ryan Gobuty: Santa Fe (Santa Fe, NM)
Taiyo Watanabe: C-Glass House (Dillon Beach, CA)
Tim Griffith: Mission Bay (San Francisco, CA)

See more at AIA|LA. (Via Archinect.)

2022 Logo Trends Report

The always-excellent Brand New points us at Logo Lounge’s 2022 Logo Trends report, it’s 20th annual look at what logos and branding, as a group, are looking like this year.

Logo Lounge 2022 Logo Trends Report

[W]hile there are still corporate-looking marks being crafted there is a stronger effort to find ways to identify products that are artisanal and handcrafted.

Bill Gardner, Logo Lounge

Corporations trying to be more human. (News at 11.) But then, my use of that particular phrase perhaps betrays my lack of being in touch with the modern corporate world; I think publishing is a different animal, and prefer being part of that world despite the regular influence of corporate entities there, too.

Nonetheless, following logo trends is, from a purely graphic design perspective, worthwhile — and this report summarizes beautifully. Read on.

Buick’s New Logo, Officially

We’ve touched upon it before, but Buick has, with the release of the Electra Wildcat concept, officially updated its logo:

Official: Buick’s new logo

Electra is Buick’s name for electric cars, simultaneously stating the obvious while giving a big nod to past models — and the Wildcat concept is, dare I say it, borderline cool:

Scandinavian, American, Futuristic, Retro … Buick!

Both Buick and Cadillac have hinted at more Art Deco in their upcoming products, perhaps best illustrated on this concept’s interior:

It’s a head rest, folks.

Nice. (Not even remotely possible on a production model, but still.) Read more on Buick’s new logo and transition to an electric car brand at Car and Driver or The Drive.

See you in July!

Update, 12 August 2022: Brand New weighs in: A New Point of View… ick

New Gallery: Madison (Part 2)

Continued from Part 1, below.

According to Southern Living magazine, “In Madison, Georgia, you can witness the power of tireless historic preservation efforts and take in the glory of old Southern architecture — from Greek Revival to Victorian, this town showcases all the great architectural styles.” (Read their day trip advice.)

DAR Statue and Morgan County Courthouse, Downtown

It’s certainly worth taking some time to visit — and for this guy and his camera, the restaurants, shops, stroll-worthy streets, and simply spectacular historic district represent a great opportunity to add to the treasure trove of Georgia architectural photography.

Building Detail #2, Madison Welcome Center, E. Jefferson St.
Building Detail #1, The James Madison Inn
Gazebo and Stage, Madison Town Park
Metallic Sculpture, Madison Town Park
Train and Silos, Madison

A total of 90 (!) photographs have been posted to the new Madison gallery. Once there, click on any photo to enlarge or start a slide show.

I’m not done, either: I had two lenses with me, but only one battery — which gave out before I could make a round downtown with the second lens. I’ve got another trip through the area scheduled, and will absolutely make the time to return, camera in-hand, to complete the gallery. Stay tuned.

New Gallery: Madison, Georgia (Part 1)

The past couple of days represented a much-needed break from the recent heat wave — an opportunity to get out of the house and celebrate a stunning morning with camera in-hand.

I pass through Madison regularly (it’s along the route from Macon to Athens), and have been meaning to stop and take some photographs for literally years. Today, the first of two parts this week, with more to come soon.

We start at the Madison Morgan Cultural Center and loop through the historic district — and its many, frankly stunning buildings — south of downtown:

Madison Morgan Cultural Center (Detail #4)
507 S. Main Street #1
411 Old Post Road #1
413 S. Main Street, Photographed from Old Post Road

There are a few detail shots mixed in, too, like this one from the Presbyterian Church:

Madison Presbyterian Church (Door Detail)

See the first 34 photographs in the new gallery. (Remember to double-click on a photograph to see larger.) Next time, downtown. Happy Monday!

Beautifully Briefed [Updated]: Book Six-Fer, June ’22

A book design treat for your Monday morning: four of my favorite new book covers from last month’s debuts.

How To Be Eaten. Design by Julianna Lee.

Aged, distressed paper is a great look when done well, and this one hits all the right notes. The size relationship between the characters, the glow around the eyes, the two color choices, the type, all of it — great stuff.

Sedating Elaine. Design by Janet Hansen.

A veritable how-to on less-is-more. Brilliant.

Vladimir. Design by Katie Tooke.

Another solid-color triumph. Great font choice here, too. Awesome.

I’ve saved the best for last:

You Have a Friend in 10A. Design by Kelly Blair.

Great Circle has featured before, and this follow-up takes us inside the plane and into the safety brochure in the best possible way. Great, brilliant, and awesome wrapped into one.

Via LitHub and Spine, as usual. Have a good week!

Update, June 20th: WABE, Atlanta’s NPR station, has a summer reading list out, highlighting Georgia books and authors — and I’d like to include two of the covers here:

Invisible Child.

The grainy photograph, the wonderfully placed city skyline, and classic typography, combined with the diagonal cutline, elevate this title from mundane to eye-catching.

The Sweetness of Water.

Excellently distressed doesn’t begin to describe this, on many levels. Side note: it’s a terrible shame that the Oprah and Booker call-outs have been elevated to logo status in what can politely be described as a distraction (from a book designer’s point of view, at least).

Updated Galleries: Macon Downtown x3, Automotive

FedEx pulled up around 8:30 this morning and dropped off a new lens. (It wasn’t due ’til Tuesday — bonus!) Given that it was an absolutely beautiful morning, I shelved my plans for the day, picked up the camera, and headed downtown.

Verdict? It’s so a keeper. See for yourself:

Catholic Cross, St. Joseph’s, Macon
Purple Hydrangea, St. Joseph’s, Macon
(Funeral) Chapel, New St., Macon
552 New St. (Brick Detail), Macon
Public Art (Detail #1), D T Walton Sr Way, Macon
Tree and City Auditorium, Macon

Wound up with sixty new items posted. However, the downtown Macon gallery was getting almost too big — confusing, even — so has been separated into three parts:

One more thing: Four photographs have been added to the Automotive gallery, including this rare Mitsubishi Lancer Evo:

Macon Lancer Evo (Wheel Detail)

Enjoy your Memorial Day weekend!

Beautifully Briefed, May 2022: Two on Type, Two on Photography, and Kottke

This month’s favorites cover a delightful new extension of the typeface DaVinci, Google’s updated mega-font, Noto, photographs of a desert aircraft boneyard from above, and mega-photographs of the Milky Way.

Before we get there, however, I wanted to wish Jason Kottke — whose 24 years of web sleuthing has been a source for items here on Foreword dating back to its original iteration in the ’90s — good luck on his sabbatical:

“I need some space to think and live and have generative conversations and do things, and then I’ll make something, but I can’t tell you what it is just yet.”1Alexandra Bell, NYT That’s the sort of energy I need to tap into for a few months.

Hear, hear.

The Beautiful DaVinci Italic

It’s Nice That points us to a new, extended version of the font DaVinci, done for Sydney’s Biennale:

“When you do this sort of type exercise — based on printed letters — it gives a very organic shape and form, in opposition to the very metallic sharp shape from type materials.” Furthering this organic look by pushing the fluidity curse at its maximum, Virgile ended with a design “which is very historical, yet with a contemporary twist.” 

Just look at those glyphs!

Makes you want to find an excuse to use it. But that’s not all: Flores is an incredibly diverse artist whose work both challenges and inspires. See more.

Google’s Noto

Called “A Typeface for the World,” Google’s Noto defines “megaproject.”

Noto is a collection of high-quality fonts with multiple weights and widths in sans, serif, mono, and other styles. The Noto fonts are perfect for harmonious, aesthetic, and typographically correct global communication, in more than 1,000 languages and over 150 writing systems. 

Google’s Noto font collection.

According to Google,

“Noto” means “I write, I mark, I note” in Latin. The name is also short for “no tofu”, as the project aims to eliminate ‘tofu’: blank rectangles shown when no font is available for your text.

While the font itself has been around for a few years — 2013 seems like yesterday in so many ways! — it’s updated regularly, cover 150 out of the 154 scripts defined in Unicode, and deserves attention from every web designer and type nut. Read more at Google or Wikipedia. (Via Kottke.)

Aircraft Boneyard, From an Aircraft

This is Colossal introduces us to Davis-Monthan Air Force Base in Tucson, Arizona, whose desert conditions are ideal for storing — and scrapping — aircraft:

What happens when the military’s aircraft are end-of-lifed

The photographs are by Bernhard Lang — whom Colossal has highlighted before — and who has an incredible talent for finding patterns from above. See many more at his website.

Milky Way Photography

We don’t get many opportunities here in Middle Georgia, but in other, less populous (read: less light-polluted) places in the world, the Milky Way shines forth from the heavens:

Mountain, redefined.

The Guardian points us to the 2022 Milky Way Photographer of the Year, and many just wow:

Take cover . . . in awe!

Check ’em all out, be inspired to take one of your own, or simply be reminded just how big this system we’re a part of is. Enjoy.

Gallery Update: The Columbus Museum

As I mentioned in the last entry, Gerald and I were in Columbus, Georgia on Saturday, where our primary photographic mission was The Columbus Museum — specifically, its Olmsted Garden.

ArchDaily is to blame here; they pointed me to the following:

Celebrating the bicentennial of the birth of Frederick Law Olmsted, Sr., known as “the father of landscape architecture”, the Cultural Landscape Foundation has created an ever-growing digital guide of Olmsted’s most notable works.

I immediately looked up what was near me, and lo and behold…. (Full disclosure: the garden is actually by Bradley Olmsted, one of Fredrick’s sons.)

Of course, the building’s interesting, too, so there’s a good mix of architecture, gardens, architecture from the garden, and — you guessed it — garden architecture:

The Columbus Museum (B&W #1)
Urn, Columns and Bricks, The Columbus Museum
Crawford’s Kindred (B&W detail), The Columbus Museum
Olmsted Garden (Flower #3), The Columbus Museum
Old Pool House (B&W), Olmsted Garden, The Columbus Museum

I enjoyed the visit, and as a result of that visit, added 32 new photographs to the Columbus gallery. (They’re grouped together: “Columbus Museum – Mar22.”) Peruse anytime; purchase if you’d like. Thank you!