Beautifully Briefed, Mid-September 2022: Indigenous Type, Italic Type, Adobe Types “Stop,” and Two Awesome New Cameras

A wide selection of items for the beginning of fall, from positive fonts to jolly cameras — with Adobe and Pantone pouring some cold water on things. Let’s get to it!

Indigenous Letterforms

As Americans, Europeans, or, more generally, Westerners, we take for granted that fonts will reflect the various pieces of individual type — that is, letterforms — that we’ll need. But not everyone falls into that category.

North American Indigenous fonts — with updated Unicode. Major Kudos. (Courtesy of Dezeen.)

Dezeen points us to an especially interesting effort: “Typotheque typography project aims to protect Indigenous languages from “digital extinction.” In this case, folks who were in the Americas long before Westerners arrived used languages often not written down, or that use letterforms that simply aren’t supported in modern typographic systems.

“When [the Unicode Standard] doesn’t contain characters in a given language’s orthography, it is not possible for that community to accurately use their language on digital text platforms.”

Typotheque typeface designer Kevin King 

Fascinating. Read more at Dezeen.

Italic Letterforms

The always-great Hoefler & Co. spends a minute educating us about italics:

Hoefler examines italics: point-and-sketch
Hoefler’s Fifteen Italic Textures illustration

Italics can be the most colorful part of a type family, diverging dramatically from their roman cousins. Here’s a look at twelve kinds of italic typeface, with some notes on their cultural contexts, historical backgrounds, and practical applications.

Hoefler & Co.

Read the article, “Italics Examined,” at Hoefler & Co.’s Typography.com.

Adobe Types, “Stop.”

Adobe and Pantone are having a . . . thing. As a result, all Pantone spot libraries have been removed from Adobe products:

A classy move, completely in character for both companies, to reach into users’ machines and remove stuff they had paid for and may rely on because of some licensing spat.

Nick Heer, Pixel Envy

I didn’t get a notice in either InDesign or Photoshop, but a check in InDesign (the CC 2022, aka 17.4, version) shows only the CMYK libraries:

Adobe’s Pantone+ CMYK (Coated) color picker, from InDesign CC 2022

You can subscribe to the additional libraries from Pantone for $60/year. Book design is almost exclusively CMYK, so I won’t be . . . but grrrr.

On the subject of Canadians: thanks to Nick Heer’s north-of-the-border reporting for the update.

Two Awesome New Cameras, from $100 to $100,000

So Pagani, the multi-million-dollar sports car manufacturer, has decided to market large-format cameras. Okay!

One of Pagani’s new camera models
A closeup of the (beautifully-detailed) tripod plate for Pagani’s new cameras.

Incredible, breathtaking detail and quality, based on Gibellini models but taken to 11. But like their cars, mere mortals need not apply: they start over $100,000.

Instead I encourage an order from this Ukrainian company:

Jollylook’s Pinhole Instant Mini film camera
Jollylook’s Pinhole Instant Mini in situ

They’re based on instant film cartridges, are made of recycled materials, look incredibly cool, and a kit starts at an incredibly-reasonable $99. Throw in a few extra dollars to support Ukraine and . . . feel Jolly.

Thanks to This is Colossal for the link.

Beautifully Briefed, August 2022: Drobo, Rolling Stone, Aston Martin, and Bugatti

Three interesting logo redesigns this month, plus a moment where venti has nothing to do with coffee. Oh, and a airy bonus.

Drobo Declares Bankruptcy

Generally speaking, I’m not one to engage in schadenfreude, aka “enjoying the pain or suffering of another.” (Wiki. Anyone surprised that the Germans have a word for this … but I digress.)

A selection of expensive, unreliable junk.

Back in 2011, I lost two Drobos in short order — and with them, the majority of my back files. Project I’d worked on, photographs I’d taken, personal documents, years worth of stuff, just gone.

Drobo, the company, did nothing to help, offering neither solutions nor apologies. I wasn’t alone; forums across the ’net suggested that I should have chosen more carefully.

It turns out they should have, too. Good.

Gloat Read more at DPReview or PopPhoto.

Rolling Stone’s New Logo

To call Rolling Stone‘s place in America culture iconic might be selling it short, and their logo plays a large role in that. In 2018, they flattened it — leading that trend, possibly — and it lost something.

However, this month, it’s back:

Rolling Stone’s 2022 logo redesign.

“The assignment was a paradox. How could we make the logo look like it did in the past, without making it feel dated? My hope is that loyal readers will believe the old logo is back, but on closer inspection will be surprised to notice how much it has been modernized.”

Jesse Ragan, XYZ Type

The “old logo” he’s referring to is the one that ran from 1981–2018, but there were others, too:

Rolling Stone’s lettering shapes through the years. See more at both links.

A great study in logo evolution: read more at the Type Network, and lettering specifics from XYZ Type. Awesome. (Hat tip to, as usual, Brand New.)

Aston Martin’s New Logo

On the subject of subtlety, Aston Martin usually isn’t the first thing that comes to mind. Their recent logo redesign, however, falls into that category:

Wings of Glory (so to speak)

The evolution of their logo emphasizes those small steps:

AM’s logo through the years.

Not a great amount of information on this one, but the accompanying photographs of the logomark being made are fantastic. See more at The Drive, with more at Brand New.

Bugatti’s New Logo

Subtlety and Bugatti rarely — if ever — fit in the same sentence. Aston is stratospheric as far as I’m concerned, so Bugatti would qualify as the antithesis of subtlety. But, but, but: there’s something about one.

The new Mistral. (Sorry, it’s sold out.)

They have a new logo and marketing campaign to go with:

Specifics, courtesy of Interbrand.
The Mistral from the back, showing the new type treatment.

Read up at It’s Nice That. Car and Driver has more information on the Mistral.

Bonus: In the Skies

It’s been a busy August, including having to make a lightning trip through the usually-not-fun Atlanta airport. But there’s always a bright spot at the end of that tunnel: being the little boy again, awed by the simple act of flying.

Better still, the flight was on a 757, the sports car of big planes. Everybody around me had their window shades pulled and noses in their phones, but I was looking out the window:

Delta Ship 5654, Above Clouds and Sea

See you in September!

Beautifully Briefed, Early July 2022: The Autopian, The Ford Heritage Vault, and an Eames Follow-Up

Car site The Autopian scores with book design, Ford posts old marketing material gold mine, and more on the Eames Institute of Infinite Curiosity in this edition of Beautifully Briefed.

Autopian suggests book design

The Autopian, founded by a couple of former Jalopnik writers, is a new automotive gem: in these days of more-of-the-sameism sites trying to make money of others’ ideas, the Autopian has a retro style and interesting, original content.

Including this short post from their Cold Start column:

Sometimes you may encounter an old car ad and realize that the design of it could lend itself very well to something completely different. In this case, this 1958 Ford Zodiac ad, with its rich, saturated colors, striking dress on the model, and evocative name with understated typography just feel like something you’d see on modern book cover design.

Jason Torchinsky, Autopian Founder

The ad:

A 1958 Ford Zodiac (European)

His book design idea “realized”:

Jason’s book cover mock-up. Love the author name.

Nice.

The Ford Heritage Vault

Ford has taken the unusual step of posting a good chunk of their old — 1903 to 2003, their first 100 years — marketing materials online: “promotional materials, photographs, and all kinds of other historical goodies,” according to CarScoops.

“Our archives were established 70 years ago, and for the first time, we’re opening the vault for the public to see. This is just a first step for all that will come in the future,” says Ted Ryan, Ford archive and heritage brand manager.

Here’s a personal favorite: the 1965 full line brochure, showing the cars set in architectural drawings — presumably, matching the car to the house:

The 1965 Ford Family of Cars brochure

Fancy a drive down memory lane?

More from the Eames Institute

We discussed the Eames Institute of Infinite Curiosity back in April, but Metropolis magazine has published an extensive article covering a visit to the Institute.

Modernism has largely been diluted from a series of ideas rooted in social change to one of just style—Instagram moments, if you will. The Eameses insisted that they did not have a style or even an “ism.” […] Modernism was an idea, not a style. With the establishment of the Eames Institute, I hope Charles and Ray will be remembered most of all for their ideas and processes.

Kenneth Caldwell, Metropolis
An exhibit at the Eames Institute of Infinite Curiosity.

With our ongoing struggle to use materials more efficiently, many of the Eameses’ ideas and ideals need to be taken for the solutions that they are: style with incredible substance.

Read the whole article at Metropolis. (Via ArchDaily.)

Beautifully Briefed, Late June 2022: AIA’s Best Architectural Photography, 2022 Logo Trends, and … Buick!

Three items for the end of June, 2022: AIA Los Angeles announces photography awards, the 2022 edition of the Logo Lounge logo trends report is out, and Buick makes its new logo official. Let’s get into the details.

AIALA Photography Awards

The Los Angeles chapter of the American Institute of Architects (AIA|LA) has announced this year’s winners of the annual Architectural Photography Awards, and there’s some pretty great stuff:

Ryan Gobuty: Santa Fe (Santa Fe, NM)
Taiyo Watanabe: C-Glass House (Dillon Beach, CA)
Tim Griffith: Mission Bay (San Francisco, CA)

See more at AIA|LA. (Via Archinect.)

2022 Logo Trends Report

The always-excellent Brand New points us at Logo Lounge’s 2022 Logo Trends report, it’s 20th annual look at what logos and branding, as a group, are looking like this year.

Logo Lounge 2022 Logo Trends Report

[W]hile there are still corporate-looking marks being crafted there is a stronger effort to find ways to identify products that are artisanal and handcrafted.

Bill Gardner, Logo Lounge

Corporations trying to be more human. (News at 11.) But then, my use of that particular phrase perhaps betrays my lack of being in touch with the modern corporate world; I think publishing is a different animal, and prefer being part of that world despite the regular influence of corporate entities there, too.

Nonetheless, following logo trends is, from a purely graphic design perspective, worthwhile — and this report summarizes beautifully. Read on.

Buick’s New Logo, Officially

We’ve touched upon it before, but Buick has, with the release of the Electra Wildcat concept, officially updated its logo:

Official: Buick’s new logo

Electra is Buick’s name for electric cars, simultaneously stating the obvious while giving a big nod to past models — and the Wildcat concept is, dare I say it, borderline cool:

Scandinavian, American, Futuristic, Retro … Buick!

Both Buick and Cadillac have hinted at more Art Deco in their upcoming products, perhaps best illustrated on this concept’s interior:

It’s a head rest, folks.

Nice. (Not even remotely possible on a production model, but still.) Read more on Buick’s new logo and transition to an electric car brand at Car and Driver or The Drive.

See you in July!

Update, 12 August 2022: Brand New weighs in: A New Point of View… ick

Beautifully Briefed [Updated]: Book Six-Fer, June ’22

A book design treat for your Monday morning: four of my favorite new book covers from last month’s debuts.

How To Be Eaten. Design by Julianna Lee.

Aged, distressed paper is a great look when done well, and this one hits all the right notes. The size relationship between the characters, the glow around the eyes, the two color choices, the type, all of it — great stuff.

Sedating Elaine. Design by Janet Hansen.

A veritable how-to on less-is-more. Brilliant.

Vladimir. Design by Katie Tooke.

Another solid-color triumph. Great font choice here, too. Awesome.

I’ve saved the best for last:

You Have a Friend in 10A. Design by Kelly Blair.

Great Circle has featured before, and this follow-up takes us inside the plane and into the safety brochure in the best possible way. Great, brilliant, and awesome wrapped into one.

Via LitHub and Spine, as usual. Have a good week!

Update, June 20th: WABE, Atlanta’s NPR station, has a summer reading list out, highlighting Georgia books and authors — and I’d like to include two of the covers here:

Invisible Child.

The grainy photograph, the wonderfully placed city skyline, and classic typography, combined with the diagonal cutline, elevate this title from mundane to eye-catching.

The Sweetness of Water.

Excellently distressed doesn’t begin to describe this, on many levels. Side note: it’s a terrible shame that the Oprah and Booker call-outs have been elevated to logo status in what can politely be described as a distraction (from a book designer’s point of view, at least).

Beautifully Briefed, May 2022: Two on Type, Two on Photography, and Kottke

This month’s favorites cover a delightful new extension of the typeface DaVinci, Google’s updated mega-font, Noto, photographs of a desert aircraft boneyard from above, and mega-photographs of the Milky Way.

Before we get there, however, I wanted to wish Jason Kottke — whose 24 years of web sleuthing has been a source for items here on Foreword dating back to its original iteration in the ’90s — good luck on his sabbatical:

“I need some space to think and live and have generative conversations and do things, and then I’ll make something, but I can’t tell you what it is just yet.”1Alexandra Bell, NYT That’s the sort of energy I need to tap into for a few months.

Hear, hear.

The Beautiful DaVinci Italic

It’s Nice That points us to a new, extended version of the font DaVinci, done for Sydney’s Biennale:

“When you do this sort of type exercise — based on printed letters — it gives a very organic shape and form, in opposition to the very metallic sharp shape from type materials.” Furthering this organic look by pushing the fluidity curse at its maximum, Virgile ended with a design “which is very historical, yet with a contemporary twist.” 

Just look at those glyphs!

Makes you want to find an excuse to use it. But that’s not all: Flores is an incredibly diverse artist whose work both challenges and inspires. See more.

Google’s Noto

Called “A Typeface for the World,” Google’s Noto defines “megaproject.”

Noto is a collection of high-quality fonts with multiple weights and widths in sans, serif, mono, and other styles. The Noto fonts are perfect for harmonious, aesthetic, and typographically correct global communication, in more than 1,000 languages and over 150 writing systems. 

Google’s Noto font collection.

According to Google,

“Noto” means “I write, I mark, I note” in Latin. The name is also short for “no tofu”, as the project aims to eliminate ‘tofu’: blank rectangles shown when no font is available for your text.

While the font itself has been around for a few years — 2013 seems like yesterday in so many ways! — it’s updated regularly, cover 150 out of the 154 scripts defined in Unicode, and deserves attention from every web designer and type nut. Read more at Google or Wikipedia. (Via Kottke.)

Aircraft Boneyard, From an Aircraft

This is Colossal introduces us to Davis-Monthan Air Force Base in Tucson, Arizona, whose desert conditions are ideal for storing — and scrapping — aircraft:

What happens when the military’s aircraft are end-of-lifed

The photographs are by Bernhard Lang — whom Colossal has highlighted before — and who has an incredible talent for finding patterns from above. See many more at his website.

Milky Way Photography

We don’t get many opportunities here in Middle Georgia, but in other, less populous (read: less light-polluted) places in the world, the Milky Way shines forth from the heavens:

Mountain, redefined.

The Guardian points us to the 2022 Milky Way Photographer of the Year, and many just wow:

Take cover . . . in awe!

Check ’em all out, be inspired to take one of your own, or simply be reminded just how big this system we’re a part of is. Enjoy.

Beautifully Briefed, Late April 2022: Old Macs, More or Less, to the Fore(word)

This time: System Six, from Glider’s programmer; MacOS 8 — including Glider — in your browser; and a pictorial history of Apple monitors. Nostalgia for your enjoyment!

System Six

John Calhoun, who wrote one of my all-time favorite games for the classic Mac, Glider, has taken a Raspberry Pi, an e-ink screen, and a great deal of ingenuity to make this:

It’s only got the shape of a classic Mac — and yet….

Calendar events, the current moon phase, and more, in a form that can’t help but bring a smile. Better still, he’s written about the process so others can make one, too. (Ahem, Gerald.) Best desk accessory evah, to coin a phrase.

Infinite Mac
Fastest MacOS 8 startup times in history.

A project to have an easily browsable collection of classic Macintosh software from the comfort of a (modern) web browser. […S]ee what using a Mac in the mid-1990’s was like.

Well, naturally, I’ve been . . . here:

Glider works — and wastes time — just as well as on the original.

MacOS8, with infinite fun. But that’s not all! For — wait for it — $0, you also get System 7 and KanjiTalk. (Set aside a few hours before clicking.)

Mac Monitor history, detailed

With the advent of the Apple Studio Display, Steven Hackett, of 512 Pixels fame (along with a variety of podcasts — he’s the co-founder of Relay FM), decided it was a good time to look back at some of Apple’s monitors. Starting with this gem:

Apple IIc with its LCD screen!

It takes a footnote — hmph — to get to what Steven and I both agree is a favorite, the last iteration of the CRT-based Apple Studio Display (you knew that name was familiar, right?):

The last great CRT monitor, IMHO.

And then there’s the 30-inch Cinema Display, shown here with the G5 tower:

Awesome.

I had several of these monitors, including one of the 30-inchers, and have loved every one of them. And while I, like a lot of creatives, use a 27-inch iMac these days, thanks to Apple’s discontinuation of said iMac, the next iteration of my office setup will include a standalone Apple monitor. I’m glad Steven took the time to remind us what’s been — thanks.

Bonus: Steven has an eMac G4 article up, too. Great times.

Beautifully Briefed, Late March 2022: Type Museum, Toshiko Mori, and … Buick?

Catching up with a few unrelated stories that I’ve been meaning to post — including one pretty significant failure on my part, one potentially significant failure, and because not everything should be about fail, an extremely interesting and thoughtful interview.

Tiny Type Museum Sold Out

I was cleaning up open Safari tabs on my phone the other day — the detritus that results from checking things on the fly when out and about, often or never closed — and noticed that I’d sort-of bookmarked something for action and … missed it. Crap!

The Tiny Type Museum & Time Capsule, with specimens and those beautiful drawer pulls.

The Tiny Type Museum & Time Capsule is a celebration by journalist and printing historian Glenn Fleishman of type and printing, and an effort at preserving history for future generations to re-discover. Each custom, handmade wood museum case holds several dozen genuine artifacts from the past and present, including a paper mold for casting newspaper ads in metal, individual pieces of wood and metal type, a phototype “font,” and a Linotype “slug” (set with a custom message), along with original commissioned art, a letterpress-printed book, and a few replicas of items found in printing shops.

The Tiny Type Museum. (Bottom drawer.)

The museum includes a letterpress-printed book written for the project, Six Centuries of Type & Printing, in which Fleishman traces the development of type and printing starting before Gutenberg printed his Bible around 1450 up through the present day. This book acts as “docent” for the museum, providing insight into the stages in technological and artistic development that took place, and explaining the importance and nature of the artifacts. It also slides out neatly as part of a sled from the top of the museum case, and provides the visible name.

The letterpress book is still available: get your copy, or subscribe to the podcast. But even if you don’t, take a moment to appreciate the work that went into this — well done, indeed.

Buick’s New Logo

This one … I dunno. The race to do car logos flat black-and-white has seemed like a race to the lowest common denominator. (See previous coverage of BMW, Volvo, Cadillac, and more.) Below, Buick’s old (left) and new (right) logos, courtesy of Motor1:

The trademark filing for Buick’s new logo.

Thankfully, there’s been a leak — Instagram, natch, so no link here — demonstrating that it’ll still be in color:

From Instagram (alas): The new Buick logo in living color.

Still, not sure. Will have to see the official announcement and package that goes with it; Motor Trend suggests that it might be part of an EV-only future. Stay tuned for Brand New’s take, I guess….

Toshiko Mori

The former chair of Harvard’s graduate architecture program has given a great and wide-ranging interview to New Reader:

I think innovation doesn’t come in one huge leap. It’s a series of small steps. Accumulations of small discoveries, followed by incremental implementation. And then it all adds up. Innovation is not a single idea—it’s incredibly incremental and additive. Even these small discoveries can change the way we think about things very quickly. So I think every step of the way—problematizing “what are the issues?” and “what are the solutions?” filtering issues of sustainability, supply chain, accessibility, will eliminate many solutions which are not possible. And then you end up with small nuggets of potential. In a way it’s very systematic, innovation, and so is experimentation. It’s the elimination of what’s not possible and focusing on goals.

Toshiko Mori. Image courtesy of New Reader.

You know, history is not about the past, really. History is about the story of an individual interpreting history. Historians cannot be unbiased narrators. Every history is a story, and then yes, there are facts—which are important, but the way you connect facts and then make diverse narratives is super interesting. 

As you can see, Fox News provides false narratives, and a lot of times they skew the facts, and that’s a problem. It can be used dangerously, but it can also be used productively. I think that’s what makes history rich. It’s not about the past, it’s about projecting into the future. So when I teach students, I ask them to make their own story based upon their research. But it’s a story—so that’s kind of their own reality. And based upon that reality, they can develop diverse narratives and then communicate the story to others. It’s not as if you have different opinions, but you have different stories to share. It’s not about controversial opinions, but about the way we each look at life very, very differently—and that enriches everybody.

The whole thing is definitely worth a read: Archinect News called it a “nuanced interview,” and if anything, that’s an undersell. Please go, reflect, and appreciate.

Side note: New Reader‘s notes throughout the interview deserve special mention (see the red Greek letters and separate, well, sidenotes). Nice.

Beautifully Briefed, Early March 2022: Monograph Impresses, Monotype Trends, and Media Waste

Three diverse items in this round-up, from illustration to typography to whether or not ad-blockers are actually environmentally-friendly — along with a response that reminds us to look at the bigger picture.

Malika Favre (Expanded Edition)

CreativeBoom:

French illustrator and graphic designer Malika Favre has been impressing audiences for years with her minimalist work for publications such as The New Yorker, Vogue, and Vanity Fair. Now over a decade’s worth of her work has been released in a new monograph from Counter-Print, which contains a suitably stripped-back aesthetic.

Her style is distinctive; I’ve liked her New Yorker covers especially:

Malika Favre (Expanded Edition) in English

The book includes the illustrator’s own cover, and she had a big hand in designing the layout, too. CreativeBoom’s article is excellent — check it out.

Monotype’s 2022 Trends

It’s Nice That points us to the recently-released 2022 Type Trends Report from Monotype:

Monotype’s 2022 Type Trends Report cover

Throughout yet another “unprecedented year,” it’s safe to say that the macro trends influencing the type design community are nearly too long to list. Several socioeconomic, political, and cultural events continue to shape the way we approach creative work and how connect to each other online and offline.

Biodiversity’s relationship to type, varying type styles in a single logo, and thin serifs — the one I’m likely to use somewhere — are in this year.

New York’s Park Lane Hotel

The above example, from New York’s Park Lane Hotel, is but one they cite (see that whole, very lovely project at Brand New). Check out the whole report, and get trendy.

Perhaps we can convince Apple to go back to its also-lovely Garamond…?

Media, Trackers, Blockers, and the Environment: There’s a Problem

Did it ever occur that using an ad blocker in your browser is actually an environmentally-friendly move? No, I hadn’t put it together, either.1More from MIT on ecological impacts of cloud computing here.

70% junk. Surprise and shock (not really).

[U]p to 70% of the electricity consumption (and therefore carbon emissions) caused by visiting a French media site is triggered by advertisements and stats. Therefore, using an ad blocker even becomes an ecological gesture. But we also suggest actions web editors could take to reduce this impact.

An interesting study, certainly, with information that many of us already use and some suggestions for action in case we don’t. But…:

Another of Monotype’s 2022 Type Trends, appropriated for use here

Nick Heer:

I have qualms with this. The idea of a “carbon footprint” was invented by British Petroleum to direct focus away from environmental policies that would impact its business, instead blaming individuals for not recycling correctly or biking to work more. A “carbon footprint” is also a simplistic view of how anything contributes to global warming, and that it seems to be used here as a synonym for bandwidth and CPU consumption.

I’m not sure whether I’ve called out the excellent Pixel Envy2A sort-of Daring Fireball with Canadian roots, but this is an example of why I should.

That is where I think this well-intentioned study falters. Even so, it is absurd that up to 70% of a media website’s CPU and bandwidth consumption is dedicated to web bullshit. Remember: the whole point of web bullshit is that it is not just the ads, it is about an entire network of self justifying privacy hostile infrastructure constructed around them.

  • 1
    More from MIT on ecological impacts of cloud computing here.
  • 2
    A sort-of Daring Fireball with Canadian roots

Beautifully Briefed, Late February 2022: Photography, Font, and Furniture

A three-fer as we wind through this February: Peter Stewart, a really talented architecture photographer from Australia; VAG Rounded, Apple’s keyboard font and how it relates to Volkswagen; and a new site called The Apple Store Glossary leads to an interesting review of furniture in Apple Stores.

Peter Stewart

November’s Beautifully Briefed covered the 2021 Architecture Photography Awards shortlist, and one of the photographers is Peter Stewart, a self-taught Australian who wanders around Asia. Gotta say: he’s better than great.

“Hanshins Web” Osaka, Japan. 2019, by Peter Stewart

His eye for pattern and color is spot-on:

“Four Columns” Tokyo, Japan. 2019, by Peter Stewart

Archinect’s In Focus feature has a great 2019 interview that not only discusses the how and where, but also the why — including his thoughts on use of Photoshop and, perhaps most insightfully, how to thrive as a photographer in this crowded age:

The hardest part of being a photographer today is finding a way to stand out among the crowd. In just the past few years Instagram has changed everything and given rise to a sizable number of highly talented new photographers. We are inherently influenced by the work we see from others, and as such has given rise to a lot of popular trends and styles of photography which has brought about a bit of a copycat culture. The point is, I think it’s important to find your own themes and ideas in order to progress, and not to simply emulate.

Peter Stewart, Archinect Interview

Check it out.

VAG Rounded and Apple

Daring Fireball is a daily stop for Apple geeks like me, but rarely does it cross into graphic design territory — except when it links to a Jalopnik article discussing how a Volkswagen font wound up on Apple’s keyboards.

Good stuff. (Bonus ’80s Dasher brochure siting, too.) Enjoy.

Apple Store’s Boardroom Furniture

Some Apple Stores have additional, not-usually-open-to-the-public spaces called boardrooms. And, as you might imagine, they’re filled with interesting stuff.

A new (to me, at least) site called The Apple Store Glossary has information and photographs of all aspects of Apple Stores, from the new Pickup area to the behind-the-scenes Boardrooms.

The latter started out as something called Briefing Rooms, intended for business customers and special events. However, they’ve evolved: more casual, more comfortable. And more interesting:

Apple Boardroom (Passeig de Gràcia store, Barcelona, Spain)

9to5Mac has a great roundup of these rooms we don’t see, from the accessories (bonus Eames Bird sightings) to the books, and perhaps most interestingly, the furniture.

Grab a seat, get comfortable, and get info.

Beautifully Briefed, Early February 2022: A Car, a Photo, and a Book

BMW i3 Discontinued

As some of you know, for getting around town, I zip about in an electric BMW i3. The range isn’t great — 120 miles, give or take, meaning I’d have to recharge there if I went to Atlanta — but for Macon and pretty much all of Middle Georgia, it’s perfect. Grocery store? No problem. Park, for a walk? No warmup, no emissions. Enough range for an ice cream in Musella or lunch in Milledgeville? Easy.

In fact, it’s not an understatement to say that I rave about my i3. Simply put, I love it.

Electric Toolbox, Wooden Shed

When introduced in 2014, it was hugely ahead of its time. Built on a bespoke platform with a carbon-fiber body and an eye-catching style (that somehow just looks electric), it was a huge change of pace for the “Ultimate Driving Machine” folks. And it’s done well for them, too: a quarter-million since.

Alas, it’s just been discontinued: people want SUVs instead. Bah.

From cars to boats

Leica has announced their photograph of the year for 2021:

Over the past ten years, Leica Camera AG has honoured twelve renowned photographers for their life’s work, by inducting them into the Leica Hall of Fame. A Leica Picture of the Year has now been designated for the first time, with the aim of sharing this success with all Leica enthusiasts. 

Leica’s 2021 Photograph of the Year

One of the things that makes photography so glorious is how many different ways the person behind the camera could approach a subject. So, I ask myself: would I have taken that photograph? Almost certainly not. That said, would I hang it on my wall? Yes. For $2000? Maybe another lens instead!

LeicaRumors has more. Meanwhile, I’ll keep improving. Someday….

Update: The official Leica page: Ralph Gibson and the M11.

2021 Cover of the Year addition

Lastly, the New Yorker’s Briefly Noted book reviews (from 6 December — I get them second-hand, and subsequently, am a little behind) reveals a collection of poetry — a reinvestigation of chemical weapons dropped on Vietnam — whose cover is sublime:

Yellow Rain, 7 x 9″ paperback, Graywolf Press, cover by Jeenee Lee Design

Noted, indeed — I wish I’d seen this in time for my favorite covers of 2021. Belated Honorable Mention! (Thanks, Youa.)

Beautifully Briefed, January 2022: Airplanes, Architecture, and Typography

BB Jan22 header image

Happy New Year! Stephen Colbert called it, “an unprecedented third year of 2020.” Let’s hope it turns out better than that.

To that end, here are some neat things to catch your eye.

Airliner Photography, to the nth degree
MG - no bogies here

I’ve been a plane junkie since, well, forever; to this day, I watch YouTube videos of things flying around, often the big ‘uns. I follow Airliners.net’s Civil Aviation forum, and can tell you at a glance whether something sitting at the gate is a Embraer 190 or Airbus 220. So this new title by photographer Maxime Guyon has my complete attention.

MG engine

Very much looking forward to getting my hands on. Beautifully done, sir. (Via a great article at It’s Nice That.)

ArchDaily’s New Branding

Meanwhile, another subject I follow:

ArchDaily 2022

Arch Daily has already teamed up with Architonic, a site for products, last year. For 2022, they’ve rebranded and both sites are now linked with DesignBoom, one of the web’s original sites for design and architecture (since 1999!). Dezeen has more.

The Year in Type

Last but certainly not least, I Love Typography has a great roundup of 2021: The Year in Type.

The Year in Type, 2021

Enjoy, indeed.

Beautifully Briefed, December 2021: Holiday Edition

Beautifully Briefed, December 2021

It’s the yearly wrap-up and the holiday season! Recap and Rejoice!

Hermès Does Windows

“Journey of a Lifetime” is this year’s window display for Hermès — yes, Hermès should have an accent, but I can’t seem to summon it today fixed! — so let’s go with a picture instead:

Hermes window display

All in paper. No, let me repeat that: it’s all paper. (Well, perhaps some glue.) From artists Zim and Zou. Here’s another, one of their earlier works:

Zim and Zou, previously

Read more at This is Colossal about the window and the church. Nice.

Yule Ogg

While we’re on the subject of the holidays, check this out:

Yule Ogg

That’s right, it’s one of those four-hour Yule log videos — but with a twist. Those are wooden type pieces going up the flame. Check it out, along with the backstory, at It’s Nice That.

Top Architectural Photography Projects

Closing out, we start the year’s “best of” round-ups, this one Dezeen’s top 10 architectural photography projects of 2021:

Soviet (Asia) Photography

Above, Soviet architecture, central Asia, by Roberto Conte and Stefano Perego. Below, Structure Photography by Nikola Olic:

"Poetic" Architecture Photography

The latter is called “poetic,” a description I’d completely agree with. The Mother Road, USA, by Hayley Eichenbaum (previously mentioned) is there, too. Enjoy.

That’s it until after the holiday. Around the first, stay tuned for my favorite book designs of 2021 and more. Take care!

Beautifully Briefed, November 2021: Four on Photography

BB Nov 2021

Four different, yet valuable, interesting, and informative links to photography items heading into this Thanksgiving weekend.

Architectural Photography Awards

Starting with ArchDaily: The Architectural Photography Awards 2021 Announces its Shortlist. Some great stuff here:

ArchDaily 1
ArchDaily 2
ArchDaily 3
ArchDaily 4
ArchDaily 5

All simple, yet so much more. Well done.

Natural Landscape Photography Awards

Next, the Natural Landscape Photography Awards. Many here to choose from, as well, but a couple of faves:

Nature Award 1
Nature Award 2
Landscape Photography Best of How-to

So, we all ask ourselves, how to you get from the everyday stuff to the best-of-the-best? DPReview has answers, with Erez Marom: On Originality in Landscape Photography.

It has been, and continues to be, a rough time for a nature photographer who makes a living shooting around the world. This kind of time period sometimes makes we artists think about our life missions and convictions, and delve deeper into our beliefs and the way we view our art and what makes it worthwhile. While some people don’t see photography as art, I definitely do, and for that reason I feel that a discussion is needed about what makes photography an art form rather than technical labor.

Some examples:

On Originality 1
On Originality 2

Read the whole essay. Excellent stuff.

Route 66 Photography

Lastly, some art from Dezeen: Hayley Eichenbaum captures the “punchy absurdity” of Route 66 roadside architecture:

Dezeen 1
Dezeen 2

Enjoy all four — and enjoy the turkey weekend! Happy (Photography) Thanksgiving.

Beautifully Briefed, October 2021: Architecture Photography

Arch Photo Oct 21

Two very different yet very impressive architectural photography items caught my eye this month.

Hélène Binet’s Architecture Photography

Let’s start with an article in the Guardian (UK) on Hélène Binet:

“It’s like being a musician in front a big audience. You can’t get it wrong. In that instant, you have to be the best of yourself, you bring your mind to a place, not to lose that unique moment.” Hélène Binet is explaining her commitment to working with the venerable techniques of analogue, as opposed to digital, photography[…].”

She manages to capture exactly the kind of thing I strive for — potentially abstract, detail-oriented, yet somehow . . . different:

HB3740

And:

HB3k

Beautiful. If you’re in the UK, check out Light Lines: The Architectural Photographs of Hélène Binet, at the Royal Academy, London W1, 23-October-23 January.

Romain Veillon’s Architecture Photography

Meanwhile, from France, we have another: award-winning photographer Romain Veillon with architectural “decay:”

RV1

Brilliant. More:

RV5
RV2
RV4
RV3

He’s got a book out — Green Urbex: The World Without Us (French-language only, alas) — but the photographs don’t need translation. Learn more on ArchDaily.