Most of the stuff I do daily is, frankly, mundane. That’s not a complaint: I have a roof over my head and food on the table. But exciting design isn’t a constant on my desktop.1It might be one of the reasons I love taking photographs so much — how creative those are is up to me. Now to find the time to take more….
I try to make up for it by looking for — and blogging about — others‘ great book design, graphic design, and photography. But it’s satisfying to get a great-looking result I can share publicly once in a while.
One such item:
Click for larger.
The poster for the Norman Mailer Society’s 2025 Conference. Good stuff. Thanks to them for the continued work together on interesting projects.
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It might be one of the reasons I love taking photographs so much — how creative those are is up to me. Now to find the time to take more….
Type opens up, the best designer you’ve never heard of, and photography to admire and inspire: all this and more for your August edification and enjoyment.
August University Press Coverage on Spine
Rather than show my favorite this month, I thought I’d share four of the runners up:
My favorite of the covers not in the Spine post.
Clockwise from upper left: Duke University Press, Mercer University Press, and two from the University of Washington. These are all good, but just missed being in the post because another option offered a better design — or story.
I’m highlighting these to celebrate the strong design in university work; despite limited budgets — or whatever other, shall we say, challenges universities face these days — most have realized that great design is worth the extra. Long live the University Press!
FYI, it’s at Figma, a site I’d heard of but not interacted with (it’s aimed at the collaborative market, aka “teams”); it took me a minute to orient myself. (Use the zoom in the upper right, then drag.)
In the comments at BrandNew, several folks point to the two Typewolf lists on the subject, one for Google and one for Adobe/Typekit. (Interestingly, I was not familiar with Typewolf — it was good enough to earn an instant bookmark. Stay tuned for more from them.)
That was on the 7th. On the 8th, BrandNew linked to a Google Design article on “the benefits of brands — for the brands and for users — making their proprietary typefaces open source and available to all to use, modify, and tinker with.” Google Fonts currently has 17 of them.
Lastly, on the 15th: Keep Calm and Icon. “Bettina Reinemann, Staff Experience Designer, Brand & Icons, at Adobe, offers an interesting and comprehensive deep dive into the evolution of a handful of Adobe’s most iconic, well, icons and how they have changed over the decades in style, meaning, and depiction.”
BrandNew is subscription, yes, but it’s one of the web’s subscription bargains at less than $25/year and packed with great stuff. I do wish they’d offer a free article or two within a given period of time so new folks can sample before purchasing, but that criticism aside, I can’t recommend them highly enough.
Many Thanks to … Double-Oh Who?
Joe Caroff, designer of so many things yet a so completely unknown personality, died on the 17th — one day short of his 104th (!) birthday. The Guardian has a nice obit … with this graphic:
The 2015 film by Sam Mendes, the 24th James Bond adventure.
That’s right, he’s the guy who designed that logo. John Gruber, at Daring Fireball, has a nice discussion of the logo and, specifically, its subtle evolution within the Bond franchise. (Did you know it was initially created for use on letterhead? Wow.)
He also links to a bunch of Bond one-sheet posters, a couple of which I’d like to post:
The 1962 film by Terence Young, andThe 1987 film by John Glen, the 15th.
I’m of the age to have grown up with Roger Moore, and really liked Timothy Dalton’s first film — it’s a shame it crashed and burned with the second — whose portrayal of the character has an edge you don’t see again until Daniel Craig stepped into the role.
But I digress. Joe Caroff’s poster history covers some greats, including this one:
Original 1961 U.S. one sheet poster by Joe Caroff.
But it’s a tidbit on the Wiki entry that warrants my publicly spending a minute remembering Joe Caroff: he designed the original jacket for Norman Mailer’s The Naked and the Dead:
When I had the privilege of redesigning The Mailer Review in 2017, the first cover paid homage to the above design:
The illustration is a self-portrait by Norman Mailer. (See Wikipedia for the old design.)
Read more about Joe Caroff’s many accomplishments at Print (spoiler: Steven Heller hadn’t heard of him before 2016!) or DesignWeek.
And Now For Something Completely … Wait.
A quick drive-by here: this is a Buick.
It’s quite literally out of this world: the Electra Orbit Concept is only for the Chinese market — their biggest. The interior, especially, has more than a few overtones of the Jaguar Type 00 concept. (Which is looking more and more prescient, frankly; see previouscoverage.) Read more at Motor1 or the Autopian.
“Sedans are dead,” someone said. Hmph.
August’s Photography Faves
100 Years of the Leica 1
1925’s Leica 1, the world’s first mass-produced 35mm camera.
PetaPixel has a nice piece covering all of the many ways the Leica 1 — the first from “a tiny German camera company” — has had such an outsized influence on the huge world that is photography today.
The 2025 M11 New York Edition. You can absolutely see the family resemblance.
2025 iPhone Photography Awards
It’s time for the annual iPhone Photography Awards — along with my annual observation that the camera you have with you is the most powerful of all. And since a substantial percentage of the world carries an iPhone, the possibilities are nearly endless.
Architecture: Photograph by Adrian Beasley, United Kingdom.Architecture: Photograph by Vladyslav Vasylkevych, Ukraine.Cityscapes: A second from Adrian Beasley, United Kingdom. (I didn’t see that until after I’d selected ones to post — and decided to post it anyway.)
Special Bonus #1: “Perhaps no building in the world captures the early 20th-century art deco movement quite like the Chrysler Building, which has been an iconic fixture in the Manhattan skyline since 1930. Its grace and beauty have captivated photographers for decades. For one NYC shooter, the building has become his life’s work. Mitchell Funk has been photographing the Chrysler Building for 50 years; his images are vibrant, eye-catching, and extremely creative.”
2025 Ocean Photographer of the Year Awards, and Prints for Wildlife
“Fragility, beauty, and urgency characterize” this competition, with “an emphasis on ocean conservation and the outsize influence humans have on marine life,” This is Colossal says. (More at PetaPixel, too.)
From the Adventure category: photograph by Ben Thouard.Human Connections: photograph by Jianping Li.Impact: photograph by Henley Spiers.
On that last one: “This green turtle was killed by a boat strike, an unnatural and unnecessary death for an endangered species,” says photographer Henley Spiers. “Only recently deceased, it is partly decomposed, with the haunting view of the bare skull in contrast to the skin, which remains on the rest of its body, and the juvenile fish which have adopted the turtle carcass as a form of safe refuge. We came across this turtle by chance, a dispiriting sight at the end of a long and fruitless day at sea. I can only hope that this image acts as a reminder of the enormous human burden placed on turtles and the ocean as a whole.”
“In 2025, the crisis isn’t a virus — it’s a withdrawal of critical funding for wildlife and conservation,” says program co-founder Pie Aerts. “Prints for Wildlife is more than a fundraiser; it’s a platform for connection, consciousness and hope in a time of crisis.” Browse photos by more than 200 photographers on the fundraiser’s website. The limited-edition prints will be available until September 21.
Special Bonus #2: “The Natural History Museum in London unveiled a first look at 15 of the breathtaking photos that are in the running to win the 61st Wildlife Photographer of the Year competition, including a lion staring down a cobra, a pack of Arctic wolves, and bats flying through the dark toward the camera; the 2025 Wildlife Photographer of the Year contest attracted 60,636 total entries, the most ever in the contest’s illustrious history.”
2025 Capture the Dark Sky Contest
DarkSky International announced the winners of its fifth annual Capture the Dark photography contest. Winners across eight main categories showcase the best in astrophotography and demonstrate why it is vital to protect dark skies worldwide; PetaPixel has a nice roundup.
In other words, I’m not going to let you go enjoy your Labor Day weekend (here in the US, at least) without once again closing with a photograph of two of my favorite things: lupines against a beautiful night sky.
“Celestial Dance over Lupine Fields,” New Zealand. Photograph by Lucy Yunxi Hu.
Two different photographic opportunities have meant additions to the Automotive gallery recently: some motorcycles in Columbus, and some BMWs at an event in Hampton, a suburb of Atlanta and home to the Atlanta Motor Speedway.
All of these were taken with Leica’s superlative APO 90mm macro (yes, I know, I go on and on about this lens — it’s that good), and almost all are just details — a lens that long in a crowd means leaving the big picture aside in favor of the minutiae. Luckily, that’s a strength of the camera system, and one of my favorite ways to use it.
Retro BMW (Motorrad) RoundelHarley Davidson Star Logo (Detail)
The Harley logo wasn’t one I was familiar with — and it’s great — but the BMW is fantastic in its retro glory, complete with copper screws.
Meanwhile, speaking of BMWs, they hold their Ultimate Drive Experience yearly in the Atlanta area, and Gerald and I are in regular attendance. It was my first time seeing a number of new models, including the new M2:
M2 (Headlight Detail)
Didn’t like this until I saw it there; it’s a shortened M4 but wide and swollen in all the right ways. However, the undisputed star of the show was the new XM. Like many modern BMWs, it’s better in person — exuding presence:
XM (Charging)
I wish I’d somehow been able to better convey its stance, its proportions, and what I imagine it would look like coming up behind you. Then again, $160k and 664 horsepower will do that. Speaking of horsepower:
XM (M Power V8 Hybrid)
Nuthin’ like a carbon fiber engine cover in a three-ton machine. That said, for both Gerald and I the far-and-away favorite wasn’t the XM but rather the iX:
iX (Badge Detail)
The iX is a little ungainly from some angles, but its battery-powered, carbon fiber goodness is both fast and efficient. Plus, it sports one of the best BMW interiors going right now, and that’s saying something. (Ventilated wool seats for the win, folks.)
These events usually boast parking lots filled with classics, but either the late Sunday afternoon or thunderstorms kept the older items safely garaged. However, there was a sweet and very bright red i8 gracing the scene:
Gerald and I were in Georgia’s lower Chattahoochee River valley yesterday, visiting the city of Columbus — and ran across a couple of treasures. Naturally, there was a camera handy.
The first is the best restaurant I’ve enjoyed in a long while: The Animal Farm.
The Animal Farm, 105 W. 12th St.
If you’re in or going to be going to Columbus anytime soon, I cannot recommend it highly enough. The food was superlative, the service excellent, and the ambiance simultaneously upscale, casual, and fresh.
The second — and no less tasty — stop was the Ma Rainey Museum of the Blues. This period house downtown is small but demonstrates a remarkable comeback from the (literal) wreckage they started with in the ’90s. I’d originally wanted to return to the Columbus Museum, but it’s being renovated; Gerald’s suggestion here was pitch-perfect.
Ma Rainey House, 805 5th Ave.Ma Rainey House Marker, 805 5th Ave.Bust and Albums, Ma Rainey House, 805 5th Ave.Record Player Detail, Ma Rainey House, 805 5th Ave.
Inside, Gerald and I enjoyed a lengthy conversation with Xavier, a guide who was knowledgeable and enthusiastic; he absolutely made us want to explore more blues history. (I’m also going to be listening to some Ma Rainey on Tidal.)
Meanwhile, gallery of Columbus photographs is deep and varied, spanning almost fifteen years and 180 items — check it out.
As is typical in July in Georgia, it was hot yesterday — but not so much that I didn’t spend a few minutes wandering around with the camera and superb 90mm. Especially since I was down on MLK, an area of downtown Macon I don’t frequent as much as, say, 2nd St.
Macon Rocks Mural (401 Cherry St.)Music Marker (MLK and Mulberry)
Some detail shots (as usual):
Studio Door, Serenity Entertainment, Cherry St. Ln.Visit Macon’s Keyboard Building Detail, 450 MLK Blvd.Decorated Transit, MLK and Cherry
Side note: I was completely unaware that Steve Martin and Edie Brickell had teamed up for Bright Star, a musical set in the Appalachians. (I presume, unfortunately, that the 2020 season at Theatre Macon might not have shown.) It probably won’t surprise that I enjoy a musical now and than — and am a big fan of both Martin and Brickell — so was glad to find it on Tidal.
Bright Star (Painted) Poster, Theatre Macon, 3rd St. Ln.
It’s hard to understate how much downtown Macon has changed for the better in the last fifteen years: new residents (and lofts), new restaurants, new shops, a high-end hotel, and more — all without losing its feeling of an historic Southern city.
Balconies, 389 1st St.(Sign of) Hotel Forty-Five, 401 Cotton Ave.
On the subject of Southern, I’m glad to see the completion of the new Cotton Avenue Plaza, a pocket park that replaces not only an awkward intersection but one that had, at its center, a Confederate celebratory statue. Something everyone can share is a big upgrade:
Cotton Avenue Plaza (with Lawrence Mayer Building)
Meanwhile, it wouldn’t be a gallery post without some of my signature detail photographs:
Flower Detail #2, Mulberry St.Eyes on Cherry St. (Window)
The downtown gallery (2022–23) is now up to 132 photographs — check ’em out. (Once you’ve followed the link, click on any photograph for a larger, captioned version.) And, if you’re interested in the city’s downtown evolution, see also the 2020–21 and 2008–2018 galleries.
Macon County, Georgia, hosts Montezuma, a railroad crossroads on the Flint River. Officially dating to 1851, it was named after the Aztec leader by soldiers returning from the Mexican-American War.
Montezuma Sign (Crepe Myrtles), S. Dooly St.
I’ve been meaning to stop with a camera for a while, but it’s always been a pass-through on the way elsewhere — the route from Macon to Andersonville, Americus, and all points southwest go through Montezuma — but it’s taken until now to actually stop.
Bench Detail, Montezuma Methodist, N. Dooly St.
Like a substantial part of rural Georgia, Montezuma has fallen on increasingly hard times; the population continues to drop1See Wiki’s article., the empty storefronts multiply, and many of the beautiful old Southern houses need some attention:
Slight Repairs Needed, 510 S. Dooly St.
There’s an attractive downtown, though, with old brick buildings and a wonderful historic railroad depot:
Museum Sign, Old Railroad Depot, Dooly & E. Railroad Sts.Bracket Detail #1, Old Railroad Depot, Dooly & E. Railroad Sts.
Did I mention that it’s a railroad crossing? There are two sets downtown:
Railroad Apparatus #4, Dooly & E. Railroad Sts.
Despite the population loss and storefronts marked “for rent,” however, all isn’t lost. There are some new businesses opening:
Sweet Window, 127 Cherry St.
I’ve posted 55 photographs in the new Montezuma gallery — peruse and enjoy. And, as always, thanks for stopping by.
Confession: For the last several years, I’ve been avoiding Eatonton. Its four-lane bypass is notorious as a revenue generator for Putnam County, so when heading north to Madison or Athens I have been taking the prettier Monticello route instead.
My mistake. In almost twenty years of living less than fifty miles from this gem — and perhaps because of that bypass — I’d not explored downtown. It’s definitely earned another visit.
Residence Above Maggie Lane (Mind Your Step)Putnam County Courthouse (Tree)
I also wasn’t aware that Alice Walker (The Color Purple) and Joel Harris (Uncle Remus) were locals — the latter explaining the prevalence of rabbits hopping about:
Rabbit (Paper Jeff)
Interesting art, too:
The FolksArt, 119 S. JeffersonSelz (The “Sole” of Honor), 107 N. Madison
I’ve been meaning to take a camera to Sparta for a minute now; its downtown is small yet old and photogenic in a distinctly Southern way.
Confederate State of Hancock County
On that subject: let’s get the elephant in the room out front and center. Sparta is 85% Black, arguably economically and socially suffering, and yet this monument stands front and center. Why?
Neglect: “It Suits Us”Lightbulb Moment, 12745 Broad St.
However, there are signs of hope. More than one building downtown is being refurbished, and there are at least a couple of businesses that are surviving — perhaps even thriving — by providing a sense of community:
The Sparta Ishmaelite (Printing)Hattaway Furniture, 12755 Broad St.
By the way, those old buildings often have beautiful cast iron details:
Gerald and I took advantage of a warm and cloudless March day for a lengthy photostroll which started in Milledgeville — lunch — and wandered northeast, starting at the nearby O’Quinn Mill:
Old O’Quinn Mill (Wheel)Old O’Quinn Mill (Siding Detail #2)
The old mill building is situated on, natch, O’Quinn pond — a man-made addition to Town Creek:
O’Quinn Pond Dam (Town Creek)
There’s a dock and old farm buildings in the complex, which these days is a picturesque event venue:
O’Quinn Mill on Town Creek
We continued on to Sparta, then returned through Eatonton, stopping in both towns for photographs. (Updates coming tomorrow and Wednesday: stay tuned.)
Meanwhile, take a look at the updated Milledgeville gallery, now up to 100 photographs spanning the last twelve years. Enjoy!
Spring is beginning to blossom here in Middle Georgia, which means it’s time to restart the traditional Sunday drive and photostroll. This week’s destination was the small city of Jackson, seat of Butts County, and home to a typically pretty downtown square:
Jackson Historic Square (20 Oak St.)
The courthouse, as is often the case in Georgia, takes center stage:
Confederate Butts Forever“Dream,” Not Necessarily Reflected
No, I usually don’t make political commentary. Why do you ask?
Anyway, there are several examples of my architectural studies, including these:
Butts County Courthouse Tower (B&W Study)Smoking Column Detail, 10 3rd St.
I didn’t realize that Jackson was the filming location for Stranger Things — a stand-in for Hawkins, Indiana:
Jackson is Hawkins (Police)
Check out the full gallery for Jackson, including yesterday’s photographs and those from last year, which include some from nearby Jackson Lake, in the updated gallery.
Named for the city in Ireland, Dublin in Georgia is an hour or so southeast of Macon. It’s my third trip there, and, like last time, I enjoyed Gerald’s company.1He seemed to enjoy the trip, rain notwithstanding, but apparently the creative juices didn’t flow. (Sorry, man.) Details here.
It has a photogenic downtown, too:
Corker (of a) Building, W. Jackson St.Fountain and Holiday Tree, N. Monroe St. and Bellevue Ave.
The Welcome Park includes a clock and bell complete with clover, reminding visitors that the name is, in fact, a tribute:
Dublin Welcome Tower #1
As has become typical, my favorite — “best” is debatable, of course — shot is a close-up that’s almost an abstract. In this case, a turquoise box car in the appropriately-named Railroad Park:
Pull Down for Camel, Dublin Railraod Park
Just off the main drag we found an item thankfully not yet painted over:
Aqua Fox, Jefferson and Madison
. . . Which may, in fact, be a holdover from a bygone era. In fact, I’d be remiss if I didn’t call this subject out:
Laurens and Dublin Mural (No Biases Shown), S. Lawrence St.
The only people of color depicted here are Native Americans, relegated to viewing (probably from afar), and two Blacks, very much shown “in their place.” (Dublin still prominently features a Confederate memorial, as well.) Let’s hope that this small city continues its journey into the 21st century, one step at a time.
See the updated gallery here. As always, once in the gallery, click on any photograph to start a slide show.
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He seemed to enjoy the trip, rain notwithstanding, but apparently the creative juices didn’t flow. (Sorry, man.) Details here.
An unintended postscript to the recent photostroll, and another in the lengthy list of places you pass through without stopping — except, this time:
Signs of White FlashShell Motor Oil
While tiny, Fickling Mill in 2022 is eye-catching, thanks to this building at the water crossing, and likely represents exactly what the name advertises — the location of a former mill of some sort, driven by the power of the water of Patsilinga Creek.
Patsiliga Creek Over the Fickling Mill Dam
We were there late in the day, hence the fading-yet-still-golden light:
Windmill Decor and Patsiliga Creek
Only nine photographs, but posted as a dedicated gallery. Enjoy your virtual photostroll — and thanks for visiting.
The county seat of Talbot (Wiki) was the primary destination of our recent photostroll, another of those places that are often passed through without stopping. A small, poor town — and county — its rich history absolutely deserves a home here amongst the galleries of Georgia.
Monroe Street Storefonts, Downtown
Founded in 1828, Talbotton was a center of education for the area; its architectural splendor reflects a wealth no longer present. Even the later courthouse (1892) is a beautiful structure:
Talbot County Probate Court, 26 Washington Ave.Talbot County Court Tower #3
There was one structure in particular that I wanted to visit: the Zion Episcopal Church, an 1848 wooden item, painted dark brown with white shutters:
Historic Zion Episcopal Church, Circa 1848
Unfortunately, Georgia’s early- and mid-century legacy survives intact. From the Zion Church’s Historical Marker:
The choir loft at the east end of the structure opposite the sanctuary, above the narthex, is flanked on each side by a gallery, where slaves worshipped prior to the conflict which many believed temporarily destroyed Southern culture.
Georgia Historical Commission, 1955
The church is still beautiful, it’s still beautifully preserved and maintained, and I’m glad that we can, in 2022, look at it in the historical context it deserves.1Read more about Zion Episcopal and its place in Talbotton here.
Zion Episcopal Church (Window Detail #2)
See the church and all of Talbotton — 34 photographs in all — in the new gallery here.
Thanks to Gerald for a pleasant Sunday of fine photography.
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Read more about Zion Episcopal and its place in Talbotton here.
Despite the leaves pretty much, well, leaving us, yesterday was too nice a day to not do a photostroll — or three, in our case. First up: Sprewell Bluff Park. Located in rural Upson County on a lovely bend in the Flint River, the park has long been one of those places that was driven by and not visited.
Flint River from Sprewell Bluff #1
Glad to have fixed that! Better still, it’s more than just a bluff with a view:
River and Tree in Afternoon Sun, Sprewell Park (#2)Cairn on the Riverbank, Sprewell ParkFlint River Shoals at Sprewell (#2)Bluff Base, Flint River
As it’s technically located there, the Thomaston gallery has grown by nineteen photographs — check it out. (As always, once in the gallery, click on any photograph to start a slide show.)
Stay tuned for Talbotton and Fickling Mill, which will be posted as soon as possible.
