One thing I never read, if possible: ebooks. That said, in these strange times, they are what folks need — and, because these are strange times, it’s causing problems. Ars Technica has the story.
In 2019, more Americans went to the library than to the movies.
From LitHub, an important note. Glad to see something free has more influence than a $40 billion industry.
As part of the new web site, I’ve redone the media.gileshoover.com section to better highlight the more than 5000 photographs available.
Note that those items are available as prints, framed or unframed, starting at a very reasonable $5. My web commerce provider, Zenfolio, also offers museum-quality fine prints, also framed or unframed, and a variety of other merchandise, from card sets to mousepads, pins, and mugs.
Explore and purchase today. Thanks for your support!
Update, Jun 25, 26, and 28: More galleries updated. Check for new photographs from Alabama, Florida and North Carolina!
A World Without Reality
This large interior design project, recently finished, was one of those — 600+ pages, huge numbers of illustrations and photographs, lots of customization, and lots of fun. Good stuff, that I’m now happy to share with the world.
It was designed with a mid-century-yet-contemporary vibe, with custom icons, specific color selections for the various sections, a custom “look” for the televisions advertisements, and full bleed (that is, the ink runs of the edges of the pages), all in support of the author’s story of one of America’s great toy designers and his, shall we say, eclectic life. As he says, “A World Without Reality.”
Some samples from the main body of this comprehensive title:
…And some from the back matter (note the different color scheme for this section):
The author/publisher, Bill Paxton, called the book design “amazing.” Works for me! Check out more or purchase a copy at marvinglassbook.com.
The New Website and Foreword Blog
Back in the ’90s and Aughts, my ex-wife and I ran a popular book design blog called Foreword. For a variety of reasons, from divorce to moving to Georgia and then deciding to do photography full-time, I got away from it. I even let the company name, ospreydesign, get away from me.
I’ve been seriously regretting losing Foreword for a while now — and its return one of the driving reasons for the new web site. Part of that has to do with a return to book design, and wanting to comment on the same, but also because I don’t do social media and have wanted a space to talk about — and get feedback on — items to do with book design, photography, and so much more. There’s no place better than your own web site. Thus, Foreword is back, this time as part of my personal site: gileshoover.com.
Here’s what ospreydesign looked like way back when:
The site evolved, but only to a point — those were the days of having to pay attention to screen width. Remember: 15-17-inch screens were the new hotness; 13-inch was more normal. (Hence the small layout.) There was something comforting about it, though, and this look preserved for years. Here’s another screenshot:
Foreword, a relatively new item called a weblog, or blog, was both a vehicle of discussion and publicity. And it worked — this little blog grew and gained followers, basically riding the early “wave” of blogs.
Here it is from 2005:
The “look” changed shortly after, while the popularity continued to grow. Here’s another, from fourteen months later:
At this point, Foreword was at its utmost; thousands of readers, #1 in a Google search for “book design,” pretty much everything — and I, quite frankly, decided to throw it all away.
The Photography Era
Changing my priority to photography full-time was both awesome and a completely mixed bag. I absolutely loved the instant results of digital photography, and enjoyed the possibilities of editing them; filters, textures, black and white, and more. The creativity was more immediate, as well, in that I was my own “editor,” for lack of a better term, not answering to as many people as designing books can be.
Making money was more difficult than with book design, but somehow more exciting; in many ways, it’s a performance art — I had to get it right at the time (there are no redos — events move on!), then make it better in the edit. But, I quickly found that weddings and events were not my strong suit. Like many making a profession out of a passion, I too often clashed with the “vision” thing; what I wanted to do — architecture, landscapes, “things” more than people — wasn’t what you made money on.
Worse, I was ahead of an extremely powerful wave: photography as something ubiquitous. With the rise of everything from a flood of new folks doing photography full-time to practically everyone “being” a photographer with just their cell phone, there was absolutely no way I could make the success out of it that I could have had I just stayed with book design first and photography second. Sure, I still did book design — I was early in the photography book genre — but photography as a career proved unsustainable.
So, book design is again what I describe my profession as, with photography back to being a passion instead of a full-time job, and Foreword has returned. I’m better for it, frankly; so, hopefully, will my readers, as we can again share my love book design — along with why I’ve returned to it full-time.
Having a blog again also gives me a chance to talk about design, book production, photography and how they’ve changed in the intervening years, and recommit myself to regular posting; something I’ve missed and hope others have, too.